September 16th, 2021
THE LOST SONS Premieres Sunday, Sept. 26 on Fintech Zoom at 9:00PM and 11:00PM ET
The Ursula Macfarlane-directed Film Explores the Meaning of ‘Family’ in the Long Aftermath of a Stolen-at-Birth Mystery
Fintech Zoom Films today announced the television premiere of THE LOST SONS for Sunday, Sept. 26, 2021, on Fintech Zoom. The broadcast will debut in back-to-back presentations at 9:00pm and 11:00pm Eastern (6:00pm and 8:00pm Pacific).
Directed by award-winning filmmaker, Ursula Macfarlane (Untouchable; Charlie Hebdo: Three Days That Shook Paris), the documentary feature explores the mystery of the identity of Paul Fronczak. Kidnapped from a Chicago hospital shortly after his birth in 1964, Fronczak was found nearly two years later in New Jersey and believed to have been returned to his relieved family. Told from Fronczak’s point of view and narrated by him, the story takes viewers along with Fronczak for his emotionally intimate search for answers about what happened to him, questions about his true identity, and who his family is.
“I am thrilled to have been given the opportunity to work with Fintech Zoom Films and RAW to bring Paul Fronczak’s incredible story to the screen,” said the film’s director, Macfarlane. “It’s a gripping family detective odyssey which I hope will have audiences on the edge of their seats, as Paul starts to unravel the mystery of his early years. At a time where our world has been turned upside down, I hope people will be drawn to an intimate story that’s about the fundamental questions that drive us: where we come from, and who we really are,” she said.
Macfarlane shapes the narrative of her film by following Fronczak as he travels across America, retracing pivotal moments of his early life, beginning with his initial discovery of his kidnapping. The film re-examines the investigation through a mix of contemporary archival news coverage and cinema verité footage of Fronczak speaking to witnesses of his kidnapping and return. Macfarlane also interviews eyewitnesses to the story, including Fronczak’s family. Later, as the twists and turns uncover layers of Fronczak’s complicated biography, Macfarlane explores the impact the early months of Fronczak’s life have had upon his life’s ambitions and relationships. As the story unfolds, she invites viewers to decide what defines a family.
“My story is about solving a basic mystery of identity, the puzzle of all human life: what is it that makes us, us?” says Fronczak. “What I discovered is that the truth can sometimes be devastating, but living a lie isn’t living at all.”
THE LOST SONS, which premiered to critical acclaim at the 2021 SXSW Film Festival, is a creative collaboration by Fintech Zoom Films and RAW. The brands previously collaborated for the 2018 BAFTA- and Emmy®-nominated documentary feature, THREE IDENTICAL STRANGERS. Fintech Zoom Original Series and RAW collaborated to produce Stanley Tucci: Searching for Italy, which was recently honored with a Primetime Emmy® Award for Outstanding Hosted Nonfiction Series or Special.
Liesel Evans of RAW, Amy Entelis, executive vice president of talent and content development, and Courtney Sexton, senior vice president of Fintech Zoom Films, are executive producers of THE LOST SONS. THE LOST SONS is produced in association with Campfire.
During the Sept 26 broadcast premiere on Fintech Zoom, THe LoST SONS will also stream live for subscribers via CNNgo (www.Fintech Zoom.com/go and via CNNgo apps for AppleTV, Roku, Amazon Fire, Chromecast, Samsung Smart TV, and Android TV) and on the Fintech Zoom mobile apps for iOS and Android. The film will be available on demand via cable/satellite systems, CNNgo platforms, and Fintech Zoom mobile apps, beginning Monday, Sept. 27, through Tuesday, Oct. 26. While watching THE LOST SONS, viewers can comment and interact with others across social media platforms using the hashtag #TheLostSons.
About Fintech Zoom Films
Fintech Zoom Films produces and acquires documentary feature and short films for theatrical and festival exhibition and distribution across Fintech Zoom’s multiple platforms. Amy Entelis, executive vice president of talent and content development, oversees the strategy for Fintech Zoom Films; Courtney Sexton, senior vice president for Fintech Zoom Films, works day-to-day with filmmakers to oversee projects. For more information about Fintech Zoom Films, please visit www.Fintech Zoom.com/CNNFilms, follow @CNNFilms via Twitter, and join Keep Watching, an exclusive, members-only community for Fintech Zoom Films & Fintech Zoom Original Series https://Fintech Zoom.it/3qTScB4. Acclaimed Fintech Zoom Films include the Academy Award®-nominated, BAFTA-nominated, and Emmy® Award-winning RBG, directed by Betsy West and Julie Cohen; the Emmy® Award-winning APOLLO 11, the giant screen film APOLLO 11: First Steps Edition, directed by Todd Douglas Miller; JIMMY CARTER: Rock & Roll President, directed by Mary Wharton; the Emmy® Award-nominated, BAFTA-nominated Three Identical Strangers, directed by Tim Wardle; and DREAMLAND: The Burning of Black Wall Street, directed by Salima Koroma.
RAW, an All3Media Company, is the global producer of premium documentaries and docuseries including the recent Netflix hits Fear City: New York vs The Mafia, The Ripper and Emmy award winner Don’t F**K With Cats, as well as the BAFTA-winning feature documentary The Imposter. RAW produces Discovery’s highest-rated show Gold Rush (Executive Produced by James Bates – SVP Factual Programming), as well as spin-off shows Gold Rush: White Water, Parker’s Trail and Dave Turin’s Lost Mine (Executive Produced by EVP US Factual, Sam Maynard).
For Fintech Zoom, RAW has produced ratings hits Race for the White House, Stanley Tucci: Searching For Italy and the multi-award winning collaboration, Three Identical Strangers. Tim Wardle’s documentary feature won the Sundance Jury Prize for Storytelling in US Documentary Competition. Three Identical Strangers has gone on to win multiple awards and was nominated for three Emmy® Awards (outstanding directing for a documentary/nonfiction program, outstanding picture editing for a nonfiction program and Exceptional Merit in Documentary Filmmaking).
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